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Un articol despre arta si economie
Scris de Rick Wartzman (Rick.Wartzman@cgu.edu) - executive director of the Drucker Institute at Claremont Graduate University.
Management Principles for the Arts
Behind the stage in the concert hall at the Vietnam National Academy of Music, ornate images of winged dragons are carved into the wood paneling. But if a group of visiting Americans has its way, another creature will also loom large at the Academy: the hedgehog.
Or, at least, management thinker Jim Collins’s Hedgehog Concept will resonate right along with the cello, violin and viola.
The U.S. delegation, led by Southwest Chamber Music — a Grammy Award-winning ensemble from Pasadena, Calif. — has traveled to Hanoi to take part in the biggest cultural exchange ever between the two countries. Dubbed Ascending Dragon, the State Department-sponsored music festival features four world-premier concerts in Vietnam and 17 U.S. premiers.
“I think it’s safe to say that there were many years when the idea that Americans and Vietnamese would make music together seemed impossible,” Jeff von der Schmidt, Southwest’s artistic director, remarked last week after the first concert in Hanoi.
But Southwest, which is not only artistically acclaimed but also unmistakably well managed, is determined to do even more than make history, forge friendships and leave rich musical memories behind. Jan Karlin, Southwest’s executive director, is eager to teach her colleagues from the Academy in Hanoi what it means to run an effective arts organization.
As part of that effort, I’ve had the chance to introduce the Academy’s administrators and musicians — some of whom are sure to be the institution’s future leaders — to the teachings of Peter Drucker. And next month, they will visit the Drucker Institute in Claremont, Calif., to learn more. Among the lessons I will share is the Hedgehog Concept — Collins’s famed model that calls on an organization to understand the interplay of what it can be the best in the world at, what it is deeply passionate about and what drives its economic (or resource) engine.
Continuarea pe: http://blogs.hbr.org/cs/2010/03/_by_rick_wartzman_behind.html?cm_mmc=npv-_-DAILY_ALERT-_-AWEBER-_-DATE
Vive l’art!
Ora de Istoria Artei la ANAID Art Gallery
Anaid Art Gallery initiaza programul “Ora de istoria artei” prin care isi propune familiarizarea unui public cat mai variat cu arta romaneasca printr-o serie de conferinte sustinute saptamanal de artisti si istorici de arta la sedul galeriei din strada Slobozia numarul 34.
“Ora de Istoria Artei” este un program de introducere in istoria artei moderne si contemporane romanesti, ce va fi lansat de catre galeria de arta Anaid Art Gallery in luna noiembrie a acestui an.
Programul isi propune sa fie o modalitate utila pentru publicul larg de a afla mai multe despre arta romaneasca moderna si maniera in care aceasta s-a integrat in contextul artei europene.
Deasemenea “Ora de Istoria Artei” isi propune sa fie un curs interactiv despre arta contemporana romaneasca, in care se vor aduce informatii atat despre artistii romani contemporani, cat si despre felul in care trebuie perceputa o opera de arta contemporana.
Programul este format din trei module, fiecare modul avand cate 6 intalniri de cate 2 ore pe saptamana.
Mai multe informatii puteti obtine scriind la adresa de e-mail camelia.dumitrache@anaidart.ro sau sunand la +4 0213371187 de luni pana vineri intre orele 09:00 – 17:00.
Inscrierile se vor face pana la data de 12 noiembrie 2009, urmand ca orele de curs sa inceapa in saptamana imediat urmatoare. Cursurile se vor tine in zilele de luni si miercuri intre orele 18:30-20:30.
camelia.dumitrache@anaidart.ro
artistiromani@gmail.com
http://artistiromani.wordpress.com/
Vive l’art!
